Anurag Basu, Ranbir Kapoor and Kishore Kumar

Anurag and Ranbir

Somehow I believe Anurag Basu is born for greater things than Barfi, not that Barfi was any lesser. I have seen Life…in a Metro, Gangster and Murder, each, more than once. I saw Barfi in the plane while returning from USA and noticed how Anurag has got the best out of Ranbir Kapoor.
I am looking forward to his movie on the life of Kishore Kumar which will have Ranbir playing the role of the mad-genius Bengali. I think he is the only actor who can play KK with his quick changes of expression, a great sense of humor and a little crazy-fast way of talking.
It is easy for me to visualize Ranbir talking to the plants, like KK used to do or to play a tabla on the bald head of a producer asking for dates without settling the old dues or better still, waiting in his car outside the famous bungalow of Amitabh Bachchan for exactly three minutes, getting sore, return and vow never to lend his voice to the megastar.
Or to see Ranbir bashing up the girl who would play Madhubala, as KK used to do or to woo Yogita Bali, marry her and then divorce because the girl was extravagant or how he married Leena Chandavarkar the widow of Sidharth Bandodkar and many other incidents.
A tidbit: Anurag was to direct my biography of Meena Kumari – Simply Scandalous. It didn’t happen because the producers who were in the process of signing him found that he had hiked his rate after his ‘Murder’ became a hit!
It would have been nice to see a Manisha Koirala humming the lines Meena Kumari wrote:
Ek markaz kii talaash ek bhatakti Khushboo/ Kabhii manz kabhii tamhiid-e-safar hotii hai.
Or to have a Kangana Runout talking to her collection of rocks and referring to each rock with a name!

BJP, don’t turn filmmakers into bhaands!

DilwaleDulhaniaLeJayenge

On the surface, the idea of having a wing exclusively for developing and promoting films ‘themed on Indian tradition’, as announced by Mithlesh Kumar Tripathi, the convener of the art and culture cell of the BJP seems harmless. But, as a writer, I’m wary of any interference / influence on cinema or for that matter, any other mode of expression.
BJP is not the only party that wants to propagate Indian values in its cinema. Congress and Marxists have used the cinema in pursuit of similar goals with their private agenda. Jawaharlal Nehru encouraged Raj Kapoor to propagate his brand of socialism that glorified Soviet Russia. Lal Bahadur Shastri asked Manoj Kumar to turn his slogan (Jai Jawan Jai Kissan) into a movie and Upkaar was born. Nehru was also instrumental in getting Haqeeqat a propaganda film made by Chetan Anand; a film that puffed up India’s defeat at the hands of China in an avoidable war.
Mrs Indira Gandhi got Manoj Kumar to start work on Naya Bharat to justify and glorify the draconian emergency. Kumar got Javed Akhtar to write the script. Fortunately for Manoj and Javed, the emergency was lifted much before the film could be made.
Keep your hands off the content of the films!
Encouraging any form of art with grants and awards, incentives and facilities is encouraging the culture of bhaands.
The big filmmakers who make films like Dilwale Dulhaniya Le Jaayenge, who are making pots of money, don’t need these grants and awards. The smaller ones would find themselves compromising, towing a particular line to woo the awards.
If you, as a government want the Indian filmmaker to compete with his counterparts in other countries – provide an infrastructure. Free him from the clutches of the distributors who control the theaters, and therefore the filmmakers. A good film by a small maker can’t reach the audience as the multiplexes control the screens. They have their own interests to look for. It is easier to make a pile from simultaneous release on 3000 screens even from a third class film with a couple of stars. All they need is the right marketing and publicity; content be damned.
These distributors and exhibitors have created another culture of bhaands; the filmmakers who just cater to the lowest common denominator making films like Grand Masti.
A government run chain of small theaters, each with a capacity of 300-500, spread all over the country would give a chance to the small, independent filmmaker – a chance to make good cinema, a chance to compete at the world level.
Whatever these filmmakers – other creative people – make is going to be a part of Indian culture.
Knowing how the over-enthusiastic and often culturally uneducated wannabes hijack ideas, it is important to analyze the idea of ‘Indian tradition’ and ‘Indian culture’. If the idea is to have a conservative presentation of women or a military boot on depiction of erotic scenes, the BJP and its art and cultural cell will have to do a rethink. I’m also writing with reference to the U turn of the Central Board of Film Certification in the recent times. It is slowly returning to the dark days of stone age.


The Censorship has never been a Hindu idea!

Hindu is a free thinking, all accommodating religion. There is no place for censorship in Hindu religion.

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