Three wars of YUDH


Amitabh Bachchan has often changed the rules of the game, and Bollywood history of the last 40 years has witnessed it. He did the same to TV with Kaun Banega Karodpati too. He is always a treat to watch. I have expectations from Yudh.
I thought his entry would be dramatic, worked out brilliantly and we may have to wait for the buildup. Known for his legendary punctuality, Amitabh playing Yudhishtir Sikarwar or Yudh, didn’t waste a single frame before making his appearance.
The theme has exciting possibilities. Yudh is a successful builder with integrity and principles. He seems to have antagonized a powerful group including a politician played by Tigmanshu Dhulia, a Police Commissioner (Kay Kay Menon) and some others. Yudh seems to suffer from some strange neuro-psychological ailment. He is delusional – seeing a clown instead of a normal person – and is unable to control his left arm. This conflict is difficult to understand though it gives an unusual dimension to the story. He has two wives (Sarika is the ex and Ayesha Raza is the second wife) and has a daughter and a son from both, respectively.
So we have three wars – 1. Amitabh V/S Business rivals. 2. Amitabh V/S his wives (this has yet to become clear.) and 3. Amitabh V/S Amitabh because of his strange ailment. The third conflict may be more interesting.
But seeing that this is supposed to be an ‘expensive’ mini-series I was disappointed to see a rather unimpressive office of Amitabh, the construction magnate. I’d advise the set designer to take a look at the offices of Hiranandanis, Oberoi Reality, Lokhandwala and other builders. But how much of the production values you see on the screen and how much is gobbled up by the big names would be confidential information with Anurag Kashyap, Shoojit Sircar and Ribhu Dasgupta.
I’ve talked of possibilities but it all depends on how the story shapes up. Unlike most of the soaps, this seems an intelligently told story. The second episode will tell.

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Bobby Jasoos Review


I preferred to watch Vidya Balan in Bobby Jasoos over two untried fresh faces in Lekar Hum Deewana Dil.
I am more than familiar with this milieu (jasoosi and Moslim mohlas) and a movie like this had immense possibilities of an absorbing and entertaining film.
Vidya is great!
But if you are looking for an edge of the seat film, this film is not for you. There is no suspense and surprise ending. This is an amateur’s way of looking at an amateur jasoos.
Someone somewhere decides to make a woman-centric film because it has worked for Vidya Balan in the past. It works.
Have some scenes, in fact many of them, where she dominates the ‘men’ playing second fiddle to her. Throw a situation where a young woman wants to prove herself, bring fame to her family ‘by playing a detective’ and you see an emancipated woman being portrayed.
Vidya’s wonderful disguises of a bearded old maulvi, a beggar, a bangle-seller, a buck-toothed and balding palm reader are more interesting in promo than in the film, where they are wasted.
The successful jasoos is always inconspicuous. He may be clad in a faded jeans… Well, this one is she. She is known in the entire Shahjanpura as ‘Bobby Jasoos’ and is even called, “Ae jasoos!” But of course let’s not expect realism though the style for the rest of the film is realistic what with Supriya Pathak playing her very believable mother and Rajendra Gupta her father.
Ali Fazal impresses despite being given a step-motherly second fiddle to play as the friend turned lover of Vidya and KiranKumar is superb as the victim of riots father hiring Bobby Jasoos to locate his lost children.
Director Samar Shaikh will go a long way if he focuses on the ethos familiar to him, like in this film. But please no sequel unless you take script from me 🙂

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